An inventive use of the two primary colours available in early Technicolor in “Monterey” in John Murray Anderson’s King of Jazz (1930)
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More genre viewing – late Fall 2018
B-horror nostalgia: Ryan Schifrin’s Abominable (2005/2018)
Marcel Pagnol’s The Baker’s Wife (1938):Criterion Blu-ray review
Flipside: extreme male anxiety
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