The killer (Nathán Pinzón) tries to suppress his compulsion with self injury in Román Viñoly Barreto’s El vampiro negro (1953)
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Francoise Romand: The Camera I
Nelson Pereira dos Santos’ ethnographic satire: How Tasty Was My Little Frenchman (1971)
The National Film Board of Canada
Fall 2024 viewing round-up, part three
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