The killer (Nathán Pinzón) follows young girls in the street in Román Viñoly Barreto’s El vampiro negro (1953)
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Bill Duke’s Deep Cover (1992): Criterion Blu-ray review
Ghosts Good and Bad
Sam Peckinpah’s swansong: The Osterman Weekend (1983)
Viewing notes, March-April 2015: part two
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