Nightclub owner Santi (François Périer) is crucial to the plan – and its failure in Jean-Pierre Melville’s Le cercle rouge (1970)
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George A. Romero’s Night of the Living Dead (1968): restored at last
Bo Widerberg’s New Swedish Cinema from Criterion
The transition to sound: Arthur Robison’s The Informer (1929)
The subjectivity of watching: Bertrand Tavernier’s Death Watch (1980)
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