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The Devil (Jules Berry) gets personally involved in Marcel Carné’s Les visiteurs du soir (1942)

The Devil (Jules Berry) gets personally involved in Marcel Carné’s Les visiteurs du soir (1942)

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Blasts from the past

Dorothy Arzner’s Merrily We Go to Hell (1932):
Criterion Blu-ray review

No, it’s definitely not a rom-com

Flipside: extreme male anxiety

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