Quiller (George Segal) makes himself very visible in order to draw out the Neo-Nazis in Michael Anderson’s The Quiller Memorandum (1966)
Photo: Janine Tschuncky
Kenneth George Godwin, Film Editor
I have been editing a wide range of film and video projects, both documentary and drama, for two-and-a-half decades. I started at the Winnipeg Film Group, cutting on Steenbeck 16mm flatbeds, adopted Avid in 1995, and have used FinalCut Pro quite extensively over the past ten years. Projects I have worked on have screened – and won awards – at festivals around the world.read more >>
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