Darkness and rain on a road to nowhere: the quintessence of film noir in Edgwar G. Ulmer's Detour (1946)

Darkness and rain on a road to nowhere: the quintessence of film noir in Edgwar G. Ulmer’s Detour (1946)

Comments

Leave a Reply

Your email address will not be published. Required fields are marked *

Blasts from the past

The sad conclusion to my NFB career …

Pier Paolo Pasolini’s Teorema (1968): Criterion Blu-ray review

Beware the children!

Desert noir and 3D from Twilight Time