The ghost (Jacques Tati) of her grandmother’s lover is drawn to a romantic girl (Odette Joyeux) in Claude Autant-Lara’s Sylvie et le fantôme (1946)
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The pleasure of not knowing
Innocence and corruption in the films of Alexander Mackendrick
Room 237: an obsessive search for meaning in Stanley Kubrick’s The Shining
Trashy Brit horrors
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