girl-who-knew-too-much_04

Eyes are a key element in the giallo, a genre in which the unreliability of seeing is an essential theme: Mario Bava's The Girl Who Knew Too Much (1963)

Eyes are a key element in the giallo, a genre in which the unreliability of seeing is an essential theme: Mario Bava’s The Girl Who Knew Too Much (1963)

Comments

Leave a Reply

Your email address will not be published. Required fields are marked *

Blasts from the past

Project Update: Trailer

An evening with Jonathan Rosenbaum

Stanley Kubrick 6: Odd Man Out – Barry Lyndon (1975)

Kelly Reichardt’s Certain Women (2016): Criterion Blu-ray review