girl-who-knew-too-much_04

Posted on by Kenneth George Godwin

Eyes are a key element in the giallo, a genre in which the unreliability of seeing is an essential theme: Mario Bava's The Girl Who Knew Too Much (1963)

Eyes are a key element in the giallo, a genre in which the unreliability of seeing is an essential theme: Mario Bava’s The Girl Who Knew Too Much (1963)

Comments

Leave a Reply

Your email address will not be published. Required fields are marked *

Search
Indexes
Monthly Archives

Archives

Recent Posts

Recent Posts

Blasts from the past

A zombie romance, Nazis vs vampire, and sex and death in a Manhattan highrise from Vinegar Syndrome

The 5th Hong Kong International Film Festival, part seven

Criterion Blu-ray review: The Honeymoon Killers (1969)

Budd Boetticher’s A Time for Dying (1969) from Indicator