More eclectic recent viewing, from 1970s detective noir to an Italian anthology from the ’60s to Japanese horror and classic ’50s sci-fi.
Frank Sinatra, a star and celebrity, could also be an impressive actor when he cared to make the effort: two of his best performances from the 1960s, in John Frankenheimer’s The Manchurian Candidate (1962) and Mark Robson’s Von Ryan’s Express (1965), reveal a willingness to play flawed characters and expose their weaknesses.
Criterion have followed their fine Eclipse set of Julien Duvivier films with a collection of features by another French director pushed into obscurity by the New Wave: Claude Autant-Lara, represented here by four films made during the German Occupation, all starring a fine but not well-known actress named Odette Joyeux.
Criterion have released an excellent Blu-ray of Ken Loach’s Palme d’or-winning I, Daniel Blake (2016), supplemented with a commentary track from Loach and writer Paul Laverty, an illuminating behind-the-scenes documentary, and a feature-length account of the director’s life and career. One of the best disks released so far this year.
Severin Films recent Blu-ray special edition of Robert S. Baker and Monty Berman’s Jack the Ripper (1959) is ambitious but compromised; the atmospheric horror film is presented in three different versions, all of which have serious issues with the transfers (print damage in one case and incorrect aspect ratios in the other two). More satisfying, technically and creatively, is Severin’s Blu-ray edition of Richard Stanley’s typically idiosyncratic documentary The Otherworld (2013).
In his early work, Sydney Pollack explored various genres from a distinctly literary perspective before becoming a maker of prestige, middlebrow Hollywood entertainments; excellent Blu-ray presentations of his best features – Castle Keep (1969), They Shoot Horses, Don’t They? (1969) and Jeremiah Johnson – reveal a promise not entirely fulfilled in a long career.