Discovering Theo Angelopoulos

Picture from Theo Angelopoulos' Eternity and a Day, 1998

Film festivals create a peculiar psychological space, lifting you out of “reality” and immersing you in a subjective world where what you see up there on screens in dark auditoriums becomes more important than anything else – even eating and sleeping seem to become irrelevant. The Toronto International Film Festival Having lived mostly in Winnipeg for […]

Blasts from the past

Italian Gothic horror on Blu-ray

Jodorowsky’s Dune: the triumph of imagination

Harry Dean Stanton’s swansong: Lucky (2017)

The art of silent film: Anthony Asquith’s Shooting Stars (1928)

>