Year End 2019

Ahmad (Babak Ahmadpour) searches for his friend in an unfamiliar village in Abbas Kiarostami's Where is the Friend's House? (1987)

The usual year-end round-up – not necessarily the best movies or disks, but some of the ones I most enjoyed, from high art to entertaining trash. The sheer range of what’s available should lay to rest any lingering rumours about the demise of physical media.

Boxed In

The vampire curse spreads in Gerardo De Leon's The Blood Drinkers (1964)

From trash to art, boxed sets enhance the viewing experience by providing a broader context for individual movies – here, four more features from William Castle, The Trilogy of Life by Pier Paolo Pasolini, and a grab bag of five horrors from poverty row distributor Hemisphere.

Post-Op, week four

Viy, a lord of the underworld, is summoned in Konstantin Ershov and Georgiy Kropachyov's Viy (1967)

Another eclectic week – Italian gore from Joe D’Amato, regional American exploitation, a pair of Amicus horrors from director Roy Ward Baker, a documentary about Dark Shadows creator Dan Curtis, and a glorious restoration of the Russian folk-horror Viy.

Random viewing, short takes

Sennia Nanua gives a riveting performance as Melanie, The Girl with All the Gifts (Colm McCarthy, 2016)

A decidedly mixed bag of recent viewing; a pair of young adult zombie stories — the Maze Runner Trilogy (2014-18) and the small-scale The Girl with All the Gifts (2016); a taut ’50s prison escape noir (Crashout, 1955) and a polished new crime noir (Dragged Across Concrete, 2018); a minor, dull thriller (All the Devil’s Men, 2018); and a bloated, enervatingly pretentious remake of a genre classic (Suspiria, 2018).