In addition to all the movies I’ve reviewed here in the past three or four months, I’ve watched many more; here I acknowledge more than seven dozen movies and television series I’ve seen over the summer.
Three recent box sets from Arrow will satisfy a wide range of genre appetites with five thrillers from Italy in the ’70s, four spaghetti westerns from the ’60s, and Daiei’s 1966 trilogy of period fantasies featuring a statue which comes to life to punish various cruel warlords who oppress local peasants.
Vinegar Syndrome’s Home-Grown Horrors box set presents three ultra-low-budget regional movies on Blu-ray, really entertaining and looking better than they ever deserved to, and accompanied by surprisingly substantial extras about the fun and frustration of making movies without sufficient resources.
Bingeing has been my default viewing mode for some time, but it’s only more recently that it’s come to encompass indulging in multiple releases by a particular company – which in turn is a result of those company’s offering regular sales and discount packages of monthly releases. The most prominent examples of this are Vinegar Syndrome and Severin Films, both of which specialize in genre and exploitation titles, pulling me into deep, often sordid, black holes.
Recent releases from Eureka/Masters of Cinema showcase a range of Chinese martial arts movies, from Sammo Hung’s traditional The Iron-Fisted Monk (1977) to Tsui Hark’s genre redefining Once Upon a Time in China trilogy (1991-92) to Ricky Lau’s horror-comedy Mr. Vampire (1985) and Ronny Yu’s visually ravishing fantasy The Bride With White Hair (1993).
Having recently watched the latest features of Richard Stanley and Larry Fessenden, I decided to revisit their earlier work via Blu-ray upgrades of my DVD copies of Stanley’s Hardware (1990) and Fessenden’s No Telling (1991), Habit (1995), Wendigo (2001) and The Last Winter (2006). All these movies remain fresh and showcase their respective director’s skill in using genre to explore larger themes.
Another seemingly random collection of movies, this time including some cheap exploitation, cheesy fantasy, horror and noir. I revisit an old favourite, re-evaluate a low-budget Canadian film from the ’70s, and finally catch up with a couple of movies I’ve wanted to see for decades.
While they form one of the main building blocks of society, families are often mysterious when viewed from the outside, providing opportunities for mystery, suspense and horror since we began telling ourselves stories. Outsiders who penetrate the strange membrane between community and family may be faced with codes and rituals which can turn dangerous … as in four recently viewed movies: Curtis Harrington’s Night Tide (1961) and Games (1967), Freddie Francis’ Mumsy, Nanny, Sonny & Girly (1970) and Ted Post’s The Baby (1973).