Another eclectic week – Italian gore from Joe D’Amato, regional American exploitation, a pair of Amicus horrors from director Roy Ward Baker, a documentary about Dark Shadows creator Dan Curtis, and a glorious restoration of the Russian folk-horror Viy.
Entertainment knows no bounds in terms of style or quality: recent viewing ranges from Walter Hill’s gripping Vietnam allegory Southern Comfort (1981) to Kinji Fukusaku’s pulp sci-fi The Green Slime (1968), from Richard Franklin’s Ozploitation horror Patrick (1978) to Robert Amram’s perplexing End Times “documentary” The Late Great Planet Earth (1979).
Agnès Varda, whose remarkable career spanned from 1955’s La Pointe Courte to the recently released Varda by Agnès (2019), has died at the age of 90. In six-and-a-half decades, she created a body of work rooted in a fascination with human beings and the social forces which shape them, in features and documentaries full of acute insights and humour.
Severin Films recent Blu-ray special edition of Robert S. Baker and Monty Berman’s Jack the Ripper (1959) is ambitious but compromised; the atmospheric horror film is presented in three different versions, all of which have serious issues with the transfers (print damage in one case and incorrect aspect ratios in the other two). More satisfying, technically and creatively, is Severin’s Blu-ray edition of Richard Stanley’s typically idiosyncratic documentary The Otherworld (2013).