For the first time on home video, Edgar G. Ulmer’s minimalist film noir masterpiece, Detour (1946), gets the treatment it deserves; a stunning 4K restoration brings out every nuance in this story of a man and a woman ensnared by a malevolent Fate.
Henri-Georges Clouzot’s La vérité (1960) is less well-known than Wages of Fear and Les Diaboliques, but it’s one of his finest features, a complex, emotionally wrenching work which gave Brigitte Bardot her greatest role. Criterion’s excellent new Blu-ray presents the film in a spectacular restoration, with substantial supplements.
Criterion’s release of Elaine May’s one-of-a-kind Mikey and Nicky (1976) on Blu-ray calls attention to one of the most unjustly neglected movies of its era, a devastatingly raw dissection of masculinity, friendship and betrayal by a filmmaker who was too distinctively original to fit comfortably into the business of Hollywood.
Rainer Werner Fassbinder’s early television series Eight Hours Don’t Make a Day (1972-73) is a real discovery, a warm, funny, richly layered melodrama depicting the lives of a working class family navigating personal relationships in the context of economic and political constraints in post-war capitalist Germany.
Criterion’s new Blu-ray release of Andrei Tarkovsky’s second feature, Andrei Rublev (1966), not only features a superb restoration of the director’s preferred 183-minute cut, but also a (much weaker) transfer of the original 205-minute version and a comprehensive selection of new and archival supplements which cover the production and meaning of this, the greatest of all historical epics.