More Italian genre movies from the 1970s – horror, giallo and poliziotteschi – along with a gritty American exploitation movie which owes something to the giallo.
A decidedly mixed bag of recent viewing; a pair of young adult zombie stories — the Maze Runner Trilogy (2014-18) and the small-scale The Girl with All the Gifts (2016); a taut ’50s prison escape noir (Crashout, 1955) and a polished new crime noir (Dragged Across Concrete, 2018); a minor, dull thriller (All the Devil’s Men, 2018); and a bloated, enervatingly pretentious remake of a genre classic (Suspiria, 2018).
Indicator lavish attention on four less well-known, non-Gothic Hammer Films productions in their second box set devoted to the company: Criminal Intent focuses on a range of bad behaviour from murder to bank robbery and child molestation in four films which, while not all entirely successful, illuminate the studio’s versatility.
Henri-Georges Clouzot’s La vérité (1960) is less well-known than Wages of Fear and Les Diaboliques, but it’s one of his finest features, a complex, emotionally wrenching work which gave Brigitte Bardot her greatest role. Criterion’s excellent new Blu-ray presents the film in a spectacular restoration, with substantial supplements.
Criterion’s release of Elaine May’s one-of-a-kind Mikey and Nicky (1976) on Blu-ray calls attention to one of the most unjustly neglected movies of its era, a devastatingly raw dissection of masculinity, friendship and betrayal by a filmmaker who was too distinctively original to fit comfortably into the business of Hollywood.