
The Offence and Equus, two play adaptations from the 1970s, now available in excellent Blu-ray editions, highlight Sidney Lumet’s strengths and weaknesses as a filmmaker.
The 19th Century French writer Guy de Maupassant had a spare style and an acute understanding of social class and psychology, both characteristics which lend themselves well to cinematic adaptation. Criterion’s Blu-ray edition of Jean Renoir’s A Day in the Country and the older Montparnasse DVD edition of Robert Wise’s Mademoiselle Fifi represent the best of de Maupassant on film.
Recent viewing runs the horror gamut from the low-budget exploitation of David Cronenberg’s debut, Shivers, to George Romero’s bid for studio respectability with a pair of adaptations in the late ’80s and early ’90s, to a really creepy Australian first feature, Jennifer Kent’s remarkably assured The Babadook.
The career of British horror writer James Herbert, who died earlier this year, somewhat parallels that of Stephen King. Both published their first novels in 1974 – Herbert’s The Rats, King’s Carrie. Although Herbert was never as prolific as King, he continued to write and publish until shortly before his death, having sold more than […]
I’ve been a fan of Don Coscarelli’s work since the first time I saw Phantasm in 1979. Made when he was just 24, that film followed two “family” features – Jim, The World’s Greatest (1976, co-directed with Craig Mitchell), about a boy dealing with his alcoholic father; and Kenny & Company (1976), about a week […]