An evening of Guy de Maupassant on film

The 19th Century French writer Guy de Maupassant had a spare style and an acute understanding of social class and psychology, both characteristics which lend themselves well to cinematic adaptation. Criterion’s Blu-ray edition of Jean Renoir’s A Day in the Country and the older Montparnasse DVD edition of Robert Wise’s Mademoiselle Fifi represent the best of de Maupassant on film.

Oh, the horror!

Recent viewing runs the horror gamut from the low-budget exploitation of David Cronenberg’s debut, Shivers, to George Romero’s bid for studio respectability with a pair of adaptations in the late ’80s and early ’90s, to a really creepy Australian first feature, Jennifer Kent’s remarkably assured The Babadook.

Blasts from the past

Not exactly back to normal

Otto Preminger and Anatomy of a Murder (1959)

Shameless exploitation

Howard Hawks’ Scarface (1932): Criterion Blu-ray review

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