Two recent Criterion releases, Cristian Mungiu’s Beyond the Hills (2012) and Graduation (2016), illustrate the richness of the Romanian New Wave; formally rich, morally complex, and dramatically powerful, they both look superb on Blu-ray and Criterion supplements them with substantial contextual material which reveal Mungiu to be one of the finest artists working in film today.
Karl Marx City (2016) is a strange, disturbing documentary exploration of family history in the context of an oppressive police state, East Germany. In uncovering the story of her father, co-director Petra Epperlein reveals how powerful political forces distort and control people’s everyday lives.
Criterion’s new Blu-ray of Dead Man (1995) presents a luminous transfer of Jim Jarmusch’s masterpiece, a western which is also a poetic contemplation of the conflict between a material world and spiritual survival.
Masters of Cinema’s new Blu-ray of Kiyoshi Kurosawa’s Cure (1997) drew me back for another attempt to understand this maddeningly enigmatic horror film; like its mysterious killer, it exerts an almost hypnotic hold on the viewer.
Twilight Time has recently released a strong selection of crime-related Blu-rays, ranging from Marilyn Monroe’s debut as a lead in Roy Ward Baker’s Don’t Bother to Knock (1952) to Sam Fuller’s powerful revenge noir Underworld USA (1961), from Larry Peerce’s urban nightmare The Incident (1967) to a pair of ’70s exercises in police realism, Richard Fleischer’s The New Centurions (1972) and Philip D’Antoni’s The Seven-Ups (1973).
20 years after the BBC commissioned and then suppressed The War Game, Peter Watkins’ devastating depiction of a nuclear attack on England, the Corporation produced Mick Jackson’s Threads, an even more powerful film on the theme. Synapse has released Threads on an impressive new Blu-ray.
With the recent death of Brazilian filmmaker Nelson Pereira dos Santos, I’ve just re-watched his feature How Tasty Was My Little Frenchman (1971), an ethnographic/historical/satirical depiction of the beginnings of European colonization of South America in the 16th Century.
Recent theatrical viewing has included some very dark comedies and fantasies, but the real horrors were supplied by the faceless corporate types who have transformed movie going into an unpleasant ordeal.
Like many filmmakers of his generation, Walter Hill began his career with strong, individualistic work, but somehow eventually drifted into aimlessness. His directorial debut, Hard Times (1975), still holds up, but his most recent film, The Assignment (2016), is transgressive but unfocused.
More eclectic recent viewing, from 1970s detective noir to an Italian anthology from the ’60s to Japanese horror and classic ’50s sci-fi.