The Visitor (Terence Stamp) attracts people with his ethereal air in Pier Paolo Pasolini's Teorema (1968)

The Visitor (Terence Stamp) attracts people with his ethereal air in Pier Paolo Pasolini’s Teorema (1968)

Comments

Leave a Reply

Your email address will not be published. Required fields are marked *

Blasts from the past

The Passion of Mel Gibson

Alan Pakula’s The Parallax View (1974): Criterion Blu-ray review

Brief Notes, December Part One

Guest Post: Considering Anthony Asquith