Graphic imagery is more respectable in black-and-white in Terence Fisher’s The Stranglers of Bombay (1959)
Comments
Your email address will not be published. Required fields are marked *
Comment *
Name *
Email *
Website
Δ
Personal landmark: my 1000th post
Project Update: Deleted Scenes
New limited editions from Second Sight, part two
Two Years of Rough Cut
Comments