The killing power of the cinematic apparatus implicates the viewer in Michael Powell’s Peeping Tom (1959)
Comments
Your email address will not be published. Required fields are marked *
Comment *
Name *
Email *
Website
Δ
Criterion Blu-ray review: Richard Brooks’ In Cold Blood (1967)
B-horror nostalgia: Ryan Schifrin’s Abominable (2005/2018)
Stanley Kramer and the limits of liberalism
Speed reviewing, Nov. 2019
Comments