Alias (Bob Dylan) laconically observes Billy’s fatal trajectory in Sam Peckinpah’s Pat Garrett and Billy the Kid (1973)
Comments
Your email address will not be published. Required fields are marked *
Comment *
Name *
Email *
Website
Δ
Being human: two new Criterion releases
Time, paradox and loss
Steve McQueen’s Small Axe (2020): Criterion Blu-ray review
Rossellini & Bergman: a collision of life and art
Comments