Captain Seafield swims into the creature’s underwater lair in Ryland Brickson Cole Tews’ Lake Michigan Monster (2018)
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Jean Eustache’s The Mother and the Whore (1973): Criterion Blu-ray review
The transition to sound: Arthur Robison’s The Informer (1929)
Basil Dearden, Humphrey Jennings, and the fires of London
Styles of Horror, part two
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