Darkness and light as visual style and thematic expression in Orson Welles’ Othello (1952/55)
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Criterion Blu-ray review: Jan Troell’s The Emigrants (1971) and The New Land (1972)
Bo Widerberg’s New Swedish Cinema from Criterion
Joshua Oppenheimer’s The Look of Silence (2014)
The 5th Hong Kong International Film Festival, part ten
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