Jerry (Frederic March) seems uncomfortably distracted at his own wedding to Joan (Sylvia Sidney) in Dorothy Arzner’s Merrily We Go to Hell (1932)
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Recent miscellaneous viewing, part three
Boys in War: Bernhard Wicki’s Die Brücke (The Bridge, 1959)
Late Summer Viewing, part 1
Benjamin Christensen’s Häxan (1922): Criterion Blu-ray review
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