The “bride” (Loretta King) is made uncomfortable by Lobo’s expressions of affection in Edward D. Wood Jr’s Bride of the Monster (1955)
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Michael Apted’s documentary legacy
The good and the bad of Warner Brothers
Seeing the world in black-and-white … and shades of grey
Mikhail Kalatozov’s I Am Cuba (1964): Criterion Blu-ray review
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