The “bride” (Loretta King) is made uncomfortable by Lobo’s expressions of affection in Edward D. Wood Jr’s Bride of the Monster (1955)
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Viewing notes, March-April 2015: part two
The pleasure of not knowing
Luchino Visconti’s The Damned (1969): Criterion Blu-ray review
The English-language invisibility of Alfred Döblin
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