Jose Luis, trapped by his role, pleads with Amadeo to take his place in Luis Garcia Berlanga’s The Executioner (1963)
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Recent disks from England, part two
When Horror Came to Shochiku: from absurd to apocalypse …
Art and Identity: Jeff Malmberg’s Marwencol (2010)
Alan Pakula’s Klute (1971): Criterion Blu-ray review
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