Entering Other Worlds, part 3

My final brief look at one-off science fiction projects by mainstream filmmakers deals with three films which conjure up alternate worlds (or universes) with differing scales of resources. Quintet (Robert Altman, 1979) Robert Altman was one of the most eclectic directors of the ’70s, with works as varied as M*A*S*H (1970) and Nashville (1975), The […]

Reading movies

The recent guest post here about William K. Everson by my friend Howard Curle reminded me that I have a copy of Everson’s Classics of the Horror Film (Citadel Press: Secaucus, N.J., 1974), which I hadn’t looked at … well, probably in a couple of decades. Dipping into it and re-reading some of the chapters, […]

Blasts from the past

Recent Twilight Time releases

John Huston’s Let There Be Light (1946)

Leonard Cohen, Robert Altman and an elegy to a national myth

The low-budget art of Edgar G. Ulmer

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