Criterion have continued their efforts to restore the reputation of eclectic French filmmaker Julien Duvivier by following their Eclipse set of features from the 1930s with a stunning Blu-ray edition of his first post-war feature, Panique (1946), adapted from a very dark novel by Georges Simenon.
Rainer Werner Fassbinder’s early television series Eight Hours Don’t Make a Day (1972-73) is a real discovery, a warm, funny, richly layered melodrama depicting the lives of a working class family navigating personal relationships in the context of economic and political constraints in post-war capitalist Germany.
Regional filmmakers working on limited budgets have to rely on ingenuity and imagination; Texan S.F. Brownrigg managed to turn out a number of effective horror movies in the 1970s, the two most notable – Don’t Look in the Basement (1972) and Don’t Open the Door (1974) – now available in a dual-format double-feature edition from VCI Entertainment.
Criterion’s new Blu-ray release of Andrei Tarkovsky’s second feature, Andrei Rublev (1966), not only features a superb restoration of the director’s preferred 183-minute cut, but also a (much weaker) transfer of the original 205-minute version and a comprehensive selection of new and archival supplements which cover the production and meaning of this, the greatest of all historical epics.
I’m a sucker for sales and recently spent a lot on-line buying stacks of Blu-rays from Arrow Films and Severin at discount prices, adding a lot of titles to my backlog. In recent weeks, I’ve started making my way through the new Arrow titles, which include an assortment of genre offerings, some completely unknown, others old favourites.