Adapting Clive Barker

Tony Todd's killer ghost schemes to destroy Helen (Virginia Madsen)'s complacent life so she'll have to join him in Bernard Rose's Clive Barker adaptation Candyman (1992)

Clive Barker’s distinctive prose style, while it creates vivid and highly visual stories, is difficult to transform into movies because the themes and meanings of the stories are strangely abstract. While Barker himself has been his own most successful adapter, there have been many attempts to capture his vision on film – some better than others. George Pavlou’s Rawhead Rex (1986) misses the mark, but Bernard Rose’s Candyman almost succeeds but is diverted by moving the story from Liverpool to Chicago.

Year End 2018

Boriska (Nikolay Burlyaev) oversees the firing of the bell in Andrei Tarkovsky's Andrei Rublev (1966) ...

Despite continuing rumblings about the demise of movies-on-disk, numerous companies continue to produce excellent editions on disk of a vast range of movies covering the entire history of cinema. Once again in 2018 there were far more releases than even an obsessive viewer could keep up with.

I love a deal …

Richard O'Brien plays Dr. Cosmo McKinley on TV in Jim Sharman's Shock Treatment (1981)

I’m a sucker for sales and recently spent a lot on-line buying stacks of Blu-rays from Arrow Films and Severin at discount prices, adding a lot of titles to my backlog. In recent weeks, I’ve started making my way through the new Arrow titles, which include an assortment of genre offerings, some completely unknown, others old favourites.

Rhyming Pairs

Religion is no protection from the horrors of Thana's world in Abel Ferrara's Ms. 45 (1981)

Recent viewing has included three pairs of movies – two Anime features from 2016 (In This Corner of the World and Your Name), two thrillers from 1967 and 1972 by English directors (Point Blank and Pulp), and a pair of gritty horror-tinged thrillers from 1979 and 1981 which transcend their exploitation roots (The Driller Killer and Ms. 45).