Howard Curle recalls another formative experience with William K Everson’s class at NYU in the ’70s; The Sound Barrier, a key film in David Lean’s career
For several years now, there have been dire predictions of the inevitable demise of movies on disk. In a world rapidly assigning more reality to the digital “cloud” than to actual physical objects, disks are supposedly quaintly old-fashioned. People, we are told, want instant access to everything on whatever device they happen to have closest […]
I’ve been a fan of Shintaro Katsu’s series of films about Zatoichi, the blind swordsman, since I came across Home Vision Entertainment’s DVD editions of the first two, The Tale of Zatoichi and The Tale of Zatoichi Continues (both 1962) many years ago in the video department of Winnipeg’s long-gone A&B Sound. I was grabbed […]
Horror has been a staple of movie-making almost since the medium was invented – Georges Melies made Le Manoir du Diable in 1896 – and the genre has at times been suspended between art and exploitation, though perhaps more often slipping to the latter end of that spectrum. In the silent period, horror was dominated […]
I was a fan of Edgar G. Ulmer before I had any idea who he was. Sometime back in the ’70s, I saw The Black Cat (1934) on television and it became, and remained, my favourite classic Universal horror film. As much as I like the others (particularly the witty work of James Whale), the […]