Guillermo del Toro, who made his start – after a couple of shorts and some TV work – with the strikingly original Cronos (1993), has subsequently split his time between small, personal Spanish-language horror fantasies and increasingly big budget Hollywood productions. Along the way, he has become a major force in contemporary genre cinema – […]
Basil Dearden’s The Bells Go Down, which I wrote about last week, is just one of a number of disks I recently received from England. Maybe it’s a bit of nostalgia, but the past few years I’ve been digging back into British film – partly seeking out titles I have memories of from long ago, […]
As my friend Curtis and I both despised what J.J. Abrams, Damon Lindelof and their team did to Star Trek with their “re-boot” (more like a boot to the original’s crotch) in 2009, it would be fair to ask why the heck we decided to go and see the sequel, Star Trek Into Darkness, on […]
Growing up in England during the late 1950s and early ’60s, my experience of British film was a mix of now-forgotten B-movies, coarse comedies (I loved the Carry On films, which seem all but unwatchable now), and occasional big productions (Zulu remains a vivid childhood memory). Hammer horror was tantalizingly out of reach, restricted to […]
People of a certain age will have indelible memories from childhood which, while they might not have known it at the time, they owe to Ray Harryhausen, who died Tuesday, May 7, at the age of 92. I was too young for his early sci-fi films in the ’50s, but one of my earliest movie […]
Criterion’s Eclipse line has three general streams: to explore fringe genres, to introduce work by lesser known filmmakers, to present lesser known works by more familiar directors. The latest release, Masaki Kobayashi Against the System, falls into the third category, presenting three early works by the director of the three-part epic The Human Condition (1959-61, […]
Miklós Jancsó is one of the key figures of Hungarian cinema, but my first encounter with his work didn’t go well. In fact, when I saw the first two parts of his unfinished Vitam et Sanguinam trilogy at the 1981 Hong Kong International Film Festival, I so disliked them that I made no subsequent efforts […]